Teatro

Maggio Musicale

Fiorentino

IMPORTANT UPDATE

We inform our audience that, due to a strike by the CGIL, CISL, FIALS, and UIL unions, the performance "Matthäus-Passion" scheduled on Thursday, December 4th, will not be performed.

Audiences wishing to transfer their tickets to the performances on December 6th or 7th can email to: [email protected] or visit the Theater Box Office, open Monday through Friday from 12 PM to 6 PM, Saturday from 10 AM to 1 PM, and starting two hours before the start of the performance.

REFUNDS

Audiences who purchased tickets online or by phone will automatically receive a refund on the credit card used to purchase. Refund times vary and depend on the banking system.

Spectators who purchased tickets at the Theater Box Office can request a refund by returning the original, intact ticket to the Theater Box Office, open Monday through Friday from 12:00 PM to 6:00 PM and Saturday from 10:00 AM to 1:00 PM. The refund will be made via bank transfer.

We apologize for the inconvenience.

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The opera:
Composed by Johann Sebastian Bach in 1727 for the Lutheran office of Holy Week, the Matthäus-Passion (St. Matthew Passion), BWV 244, fell into oblivion after the composer's death. A little over a century later, Felix Mendelssohn resurrected it and performed it in concert in Berlin on March 11, 1829, returning to humanity that immense Bachian masterpiece that is today considered a musical icon of religious confession. The Matthäus-Passion is striking both for its colossal architecture (which includes soloists, a double choir and a double orchestra) and for the expressive power of the musical language.

The text, prepared by Picander (pseudonym of the poet Christian Friedrich Henrici), includes a large group of characters. In addition to the main roles of Jesus, the Evangelist (who is entrusted with the task of narration), Peter, Pilate, and the handmaid, there are other figures such as Judas, Pilate's wife, Joseph of Arimathea, the daughter of Zion, handmaids, witnesses, soldiers, a multiplicity of voices made possible by the use of the double choir. The backbone of the work, divided into two large parts, are the chorales that Bach uses according to precise expressive needs.

Arias and ariosos, moments of meditation and contrition, act as a counterpoint to the tormented narration of the recitatives, where the human component of the drama of Christ's passion, portrayed in all his pain as a man, is accentuated.

Maggio Musicale Fiorentino staging

Poster © Gianluigi Toccafondo

We express our gratitude for the voluntary contributions to the production to:

The Department of Health Sciences – University of Florence, for the loan of the skull.
Autolinee Toscane S.p.A., Florence, for providing the bus.
Meranese Servizi S.p.A., for the loan of materials and the assistance of the cleaning staff.
The sports association “Sempre Avanti Juventus,” Florence, for the loan of the wrestlers’ mat.
The Municipal Police of Florence.
The midwives of the association “La Mia Ostetrica APS,” Florence, and the parents of the newborns, for the gift of the birthing cloths.
Sebia, Bagno a Ripoli, for technical support and the loan of analytical equipment.
Brokk, for technical support and the loan of the Darda Hydraulic Splitter.
We also extend our gratitude to the families of the deceased for sharing their loved ones’ last meal.